The results of Zhou Yiqun's study of the depiction of femmes fatales in Greece (in particular Helen) and in China are valuable in their explicit structural interpretation. The difference between on one hand the diversity, complexity, and even ambiguity of the conception of Helen, intersecting with other crucial issues such as beauty, love, and eventually to kalon 'the beautiful,' and the one-sidedness and stubbornly didactic and schematic depiction of femmes fatales in China on the other hand stands out clearly from the comparison. The author makes an interesting suggestion that it may also be related to the practice of Greek legal processes and exercises in exculpation in contrast to China's relative disinterest in the principle of audiatur et altera pars ('May the other side also be heard').
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